Add that to any of the other combinations and you spanned the tonal range traditionally held by strat players.Finally, the third knob, which was also the bridge tone knob, pulled out to reverse the phase of the bridge pickup. This was activated by pulling out the volume knob, which in the 83 models was a nice chunky speed knob with notched edges.The second knob activated the center pickup, which was a strat-like single coil pickup that added the rich piano-like overtones of an overwound single coil. The effect was akin to upgrading from a single stereo speaker to a woofer and tweeter- both ends were better represented.When coil tapped, MMK45’s drop the bass coil, and the remaining treble coil is more like a tele neck pickup- strong and sweet.By using humbuckers that would coil tap this way, the H-S-H plan spanned a tonal range including those traditionally held by tele and LP players. One coil was wound for rich high frequencies, the other for lower response.
Normal humbuckers have a pair of equal coils, and coil tapping one out leaves a single remaining coil that isn’t very much like the rich overtones of a strat or tele single coil, it’s just thin.The new MMK45 pickups that were included in all the Electra Phoenix had a pair of coils with different cores, magnets, and windings.
ELECTRA PHOENIX GUITAR SERIAL NUMBER FULL CRACK
Download autocad 2009 32bit full crack pc. Best of all, the controls were intuitive, allowing the guitarist to merely twiddle or to very deliberately shape a tone.Other guitar companies, notably Ibanez, have also released H-S-H guitars, but none with this particular configuration before or since.The full potential of the H-S-H was also made possible by innovative unbalanced coil pickups that Tom had developed in concert with Matsumoku technicians. It combined the best of different kinds of pickups to produce a remarkably versatile sound.
Wednesday, January 23, 2008, 11:19 AM-Bolt neck double cutaway with maple body, maple neck, rosewood fingerboard, black hardware, graphite nut and tekglide (vintage style) bridge, two humbuckers, one single-coil pickup with three pull-switch knobs (V-T-T) for coil tap, fat (center on) and phase and 3-way selector switch.X185RM (H-S-H)(rose metallic)X185BL (H-S-H)(blue burst)X185GR (H-S-H)(graphite)X185SS (H-S-H)(Silverstone= metallic bronze)X185RD (H-S-H)(red)The X185 marked the debut of Tom Presley’s H-S-H wiring plan, the result of his work in the 60’s on experimental wiring. (The Spectrum DX was numbered X140, but instead of being an updated S-S-S, the DX was really an H-H like the X135 with the upgraded hardware of an X189.)From the 1981 pricelist. The standard models have wonderfully resonant figured ash bodies, and the brass nut and hardtail string-though bridge add to the great tone.X140 is one of the few model numbers to be used by two different models- confusingly the number returned to use in 1985 after the Electra Phoenix had been renamed the Westone Spectrum. Wednesday, January 23, 2008, 12:47 PM-Bolt neck double cutaway with ash body, maple neck, black pickguard, chrome hardware, brass nut, brass hardtail bridge with strings through body, and three single coil pickups with 3-way selector and fat switch (middle on), brass knobs.Standard models:X140N (S-S-S)(natural)X140S (S-S-S)(walnut stain)X140B (S-S-S)(black)Custom models had premium tuners, Canadian rock maple bodies:X140W (S-S-S)(white)X140R (S-S-S)(red)X140BL (S-S-S)(blue)The X140 was one of the first Electra Phoenixes to appear in late 1980.
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